Kyle Gillette, Ph.D.

Books

• The Invisible City: Travel, Attention and Performance (London and New York: Routledge, 2020).
• Thornton Wilder’s The Skin of Our Teeth, Fourth Wall (London and New York: Routledge, 2016).
• Railway Travel in Modern Theatre: Transforming the Space and Time of the Stage (Jefferson, NC: McFarland, 2014).

Chapters

• ​“Visible Cities: Calvino in Performance,” Invisible Cities and the Urban Imagination ed. Benjamin Linder (Cham, Switzerland: Palgrave Macmillan, 2022).
• ​“’My Portrait Come to Life’: Visions of Self in Pirandello’s Henry IV” in Pirandello’s Visual Philosophy, ed. Lisa Sarti and Michael Subialka (Madison, NJ: Farleigh Dickinson University Press, 2017).
• "Realism"; "Imagined Cities: after Calvino"; and "Triptych" in Imagined Theatres: Writing for a Theoretical Stage, ed. Daniel Sack (London and New York: Routledge, 2017).

 
Articles

• “Six Characters in Search of a Legacy,” Pirandello Society of America 33 (2020-21).
• ​“Poor Things: Naturalistic Props and the Death of American Material Culture in Sam Shepard’s Action,” Journal of American Drama and Theatre 25.2 (Spring 2013).
• ​“Zen and the Art of Self-Negation in Samuel Beckett’s Not I,” Comparative Drama 46.3 (Fall 2012).
• ​“Improvising New Rituals for the Bacchae,” Theatre/Practice 1.1 (Spring 2012).
• ​"Upholstered Realism and the Great Futurist Railroad: Theatrical ‘Train Wrecks' and the Return of the Repressed," Performance Research 15.2 (Summer 2010).
• ​“Loco Motion: Railway Perception, Relativity, and the Stage,” Performance Research 12.2 (Summer 2007).
• ​“’A Hole in the Paper Sky’: Psycho-Scenographic Rifts in Pirandello’s Henry IV,” Modern Drama 48.1 (Spring 2005).